Deprecated: Required parameter $action_type follows optional parameter $entry_prefix in /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php on line 249 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 Warning: Cannot modify header information - headers already sent by (output started at /customers/6/7/2/artcult.be/httpd.www/wp-content/plugins/onecom-vcache/onecom-addons/inc/logger.php:249) in /customers/6/7/2/artcult.be/httpd.www/wp-includes/rest-api/class-wp-rest-server.php on line 1673 {"id":18,"date":"2018-07-26T16:26:02","date_gmt":"2018-07-26T14:26:02","guid":{"rendered":"http:\/\/www.artcult.be\/?page_id=18"},"modified":"2022-03-14T00:48:37","modified_gmt":"2022-03-13T23:48:37","slug":"ecritures","status":"publish","type":"page","link":"https:\/\/artcult.be\/ecritures\/","title":{"rendered":"Ecritures"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.6″ background_image=\u00a0\u00bbhttp:\/\/www.artcult.be\/wp-content\/uploads\/2018\/07\/20180402_155459-e1532618122768.jpg\u00a0\u00bb parallax=\u00a0\u00bbon\u00a0\u00bb parallax_method=\u00a0\u00bboff\u00a0\u00bb custom_padding=\u00a0\u00bb0|0px|273px|0px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ specialty_columns=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0|0px|0px|0px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb49px|0px|15px|0px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.6″ text_font=\u00a0\u00bbAbel||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font=\u00a0\u00bb||||||||\u00a0\u00bb header_2_font=\u00a0\u00bbBernhard light||||||||\u00a0\u00bb background_color=\u00a0\u00bb#ffffff\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb custom_margin=\u00a0\u00bb-102px||0px|\u00a0\u00bb custom_padding=\u00a0\u00bb32px|49px|27px|49px|false|true\u00a0\u00bb filter_opacity=\u00a0\u00bb94%\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ border_radii=\u00a0\u00bb|40px|40px||\u00a0\u00bb box_shadow_style=\u00a0\u00bbpreset1″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

La graphistique<\/strong><\/span> a pour but d\u2019authentifier des documents<\/strong> par l\u2019analyse de l\u2019\u00e9criture via des proc\u00e9d\u00e9s scientifiques et reconnus. Loin de la graphologie qui aura tendance \u00e0 s\u2019int\u00e9resser aux dimensions psychologiques et physiologiques du scripteur, l\u2019expert en \u00e9critures va se concentrer sur des \u00e9l\u00e9ments quantifiables<\/strong> et sur la comparaison avec des documents authentifi\u00e9s<\/strong> pour remettre ses conclusions.<\/p>\n

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Le cabinet a collabor\u00e9, par le pass\u00e9, avec d\u2019\u00e9minents criminologues<\/span>, Jean-Pierre De Cuyper (\u2020)<\/span><\/em><\/strong>, Docteur Honoris Causa en criminilogie et Willy De Cuyper<\/strong>, sp\u00e9cialis\u00e9 en fraudes et contrefa\u00e7ons, soutenu par un laboratoire, afin de proposer ses services de criminalistique appliqu\u00e9e dans le domaine de la recherche et l\u2019analyse de fraudes en \u00e9critures (graphistique) et de contra\u00e7ons.<\/p>\n

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Que regarde-t\u2019on lors d\u2019une analyse graphistique\u00a0?<\/strong><\/p>\n

On consid\u00e8re d\u2019abord que tout le monde a une \u00e9criture diff\u00e9rente<\/strong>. M\u00eame les tr\u00e8s bons faussaires ne peuvent parvenir \u00e0 une \u00e9criture ou \u00e0 une signature contrefaite parfaite.<\/p>\n

La vitesse d\u2019ex\u00e9cution, le degr\u00e9 des courbes, l\u2019inclinaison de l\u2019ustensile d\u2019\u00e9criture et les traits d\u2019appui sont autant d\u2019\u00e9l\u00e9ments sur lesquels l\u2019expert en \u00e9criture va pouvoir distinguer un vrai d\u2019un faux.<\/p>\n

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Pourquoi faire appel \u00e0 un expert\u00a0?<\/strong><\/p>\n

Chacun d\u2019entre nous a d\u00e9j\u00e0 d\u00fb signer ou r\u00e9diger des papiers importants. Malgr\u00e9 l\u2019utilisation de plus en plus importante des traitements de textes, les documents ayant de la valeur (financi\u00e8re, l\u00e9gale ou autre) doivent encore \u00eatre sign\u00e9s manuellement. En apposant notre signature, nous donnons notre consentement \u00e0 un pr\u00eat, un achat, un ch\u00e8que, une assurance ou pour des droits de successions. Jusque-l\u00e0, tout va bien. Normalement, nous savons ce que nous signons. (ou voir \u00ab\u00a0signature sous la contrainte\u00a0<\/u>\u00bb\u00a0 => faire un lien vers \u00ab\u00a0cas de d\u00e9lit\u00a0\u00bb)<\/strong><\/p>\n

Le probl\u00e8me se pose lorsque quelqu\u2019un remet en cause la v\u00e9racit\u00e9 de la signature ou que l\u2019on a des doutes \u00e0 propos de son originalit\u00e9.
L\u2019analyse peut \u00eatre demand\u00e9e dans le cadre priv\u00e9<\/strong> ou judiciaire<\/strong>. Dans le cadre d\u2019une proc\u00e9dure judiciaire, l\u2019expert doit \u00eatre reconnu par le tribunal.<\/p>\n

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Exemples de cas de d\u00e9lit…<\/strong><\/p>\n

Signature sous la contrainte\u00a0<\/strong>: que se passe-t-il lorsque nous signons sous la contrainte ou dans un \u00e9tat second\u00a0? Et bien, nous modifions imperceptiblement notre \u00e9criture et gr\u00e2ce aux techniques modernes, il est parfois possible de le prouver.<\/p>\n

Signature d\u00e9calqu\u00e9e\u00a0<\/strong>: l\u2019une des m\u00e9thodes pour contrefaire une signature est d\u2019utiliser un calque. Pour un n\u00e9ophite et \u00e0 l\u2019\u0153il nu, il nous sera parfois impossible de voir la diff\u00e9rente. Cependant des signes ne trompent pas, la vitesse d\u2019ex\u00e9cution est saccad\u00e9 et le papier calque aura laiss\u00e9 des r\u00e9sidus dans l\u2019encre.<\/p>\n

Faux en \u00e9criture\u00a0<\/strong>: on aura beau s\u2019entrainer, le naturel revient au galop et c\u2019est aussi vrai pour notre mani\u00e8re d\u2019\u00e9crire. La fatigue m\u00e9canique aidant, les experts sont capables de d\u00e9terminer si quelqu\u2019un est bien l\u2019auteur d\u2019un document en lui faisant recopier. Simple mais efficace.<\/p>\n

Il existe encore un tas d\u2019autres exemples de d\u00e9lits li\u00e9s \u00e0 l\u2019\u00e9criture et si vous \u00eates confront\u00e9s \u00e0 l\u2019un d\u2019eux, n\u2019h\u00e9sitez pas \u00e0 prendre contact avec nous<\/u>. (=> lien vers \u00ab\u00a0contact\u00a0\u00bb)<\/p>\n

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